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Creative writing program sfu

University of British Columbia

A student-focused program, the UBC School of Creative Writing combines the best of traditional workshop and leading-edge pedagogy. Our literary cross-training offers opportunities in a broad range of genres including fiction, nonfiction, poetry, screenplay, podcasting, video game writing and graphic novel.

We strive to create a dynamic and inclusive environment that encourages artistic experimentation and community building. We’re extremely proud of the national and international literary achievements of our many graduates, as well as their generous contributions to the greater creative community.

We offer a 2-year course of resident study or a 2-5 year course of study by distance education, both leading to a Master of Fine Arts in Creative Writing. We also offer a BFA and undergraduate minor degree in Creative Writing.

Funding opportunities include Teaching Assistantships for Graduate Students (working in Creative Writing courses and in local high schools), journal editorships, work-learn opportunities, and a number of substantial scholarships for Canadian, International and Indigenous students.

Contact Information

E471-1866 Main Mall
Vancouver
British Columbia, Canada
V6T 1Z1
Phone: 604-822-3058
Email: [email protected]
https://creativewriting.ubc.ca/

Bachelor of Fine Arts in Creative Writing +

Undergraduate Program Director

Brandie Hannen-Williams
Undergraduate Advisor
UBC School of Creative Writing
Buchanan Room E462
Vancouver
British Columbia, Canada
V6T 1Z1
Email: [email protected]

Requirements: 2 years of general studies, and in years 3 and 4, a Creative Writing Major (6 writing workshops/tutorials plus 4 or 5 outside courses) and honors (9 writing workshops/tutorials and thesis) plus 5 outside courses. 3-genre requirement. Double Majors can be taken as BFA or BA, where there is agreement of the departments involved. Student can then name the degree.

The Creative Writing Program of the Department of Theatre, Film, and Creative Writing offers a program of study leading to the degree of Bachelor of Arts (double Major) and Fine Arts (single Major). Instruction is based on the premise that promising student-authors can benefit from judicious criticism and the chance to develop their abilities in an academic setting. Workshops, conferences, and tutorials are designed to focus attention on the student’s own work. Reading assignments may be made in the department’s magazine of current writing, Prism International, and other relevant journals and books. There are no examinations, and grades are based on the writing done and on participation in workshops throughout the year. Course offerings include workshops and tutorials in Children’s Literature, Radio Plays, Nonfiction Prose, Lyric and Libretto, Screen and TV Plays, Stage Plays, Novel or Novella, Short Story, Poetry, and Translation.

Each course is restricted to 15 students. Applicants wishing to enter freshman/sophomore classes will be admitted if their submission of 20-25 pages of recent original fiction, imaginative nonfiction, drama, or poetry, or a combination of these, is judged acceptable by the Program. Students wishing to pursue a major in Creative Writing should apply at the end of their second year of study by submitting to the department a written request accompanied by a 30-page manuscript.

Type of Program: Studio
Largest Class Size: 20
Smallest Class Size: 14
Genres: Fiction, Poetry, Creative Nonfiction, Playwriting, Screenwriting, Writing for Children, Popular/Genre Fiction
In State Tuition 5000
Out of State Tuition 7000
Unit of Measure: Credits
Total Units for Degree: 120

Master of Fine Arts in Creative Writing +

Graduate Program Director

Alix Ohlin
Chair
1866 Main Mall
Buchanan Room E462, Creative Writing
Vancouver
British Columbia, Canada
V6T 1Z1
Email: [email protected]

The Creative Writing Program offers a 2-year course of resident study leading to a Master of Fine Arts in Creative Writing.

Students are required to write in 3 of the 11 genres offered by the program; to produce regular, substantial quantities of work, and to maintain continuing interaction with the staff.

Workshops are designed to focus attention on the student’s own work in advanced studies in the writing of poetry, fiction, drama (stage, screen, television, radio), creative non-fiction, translation, lyric and libretto, graphic novel and writing for children and young adults. MFA degrees are offered in Creative Writing (including a concentration in translation), in Creative Writing-Theatre for playwrights, and Creative Writing-Film for screenwriters. The last two joint degree programs require acceptance by the Theatre and Film programs respectively.

All candidates are selected on the basis of their submitted portfolio of original writing. Scholarship funding and Teaching Assistantships are available. Please see our website for guidelines.

Type of Program: Studio
Largest Class Size: 12
Smallest Class Size: 6
Genres: Fiction, Poetry, Creative Nonfiction, Playwriting, Screenwriting, Writing for Children
In State Tuition 5000
Out of State Tuition 7000
Duration of Study: 2 years
Unit of Measure: Credits
Workshop: 24
Other: 6
Thesis: 6
Total Units for Degree: 36
Other Requirements: Two years of intensive writing in workshops/tutorials within department; three-genre requirement. 6 elective credits allowed.
Application Deadline Fall: 01/10/2020
Application Requirements: Transcripts, Writing Sample, Application Form, Letters of Recommendation, Cover Letter

Master of Fine Arts in Creative Writing (Optional-Residency) +

Graduate Program Director

Alix Ohlin
Chair
1866 Main Mall
Buchanan Room E462, Creative Writing
Vancouver
British Columbia, Canada
V6T 1Z1
Email: [email protected]

The Creative Writing Program offers a full-time or part-time course of study by distance education leading to a Master of Fine Arts in Creative Writing.

Students working in the program take a minimum of two years and a maximum of five years to complete their degree. Students study through online workshops, complemented by an optional 10 day summer residency at our Vancouver, BC campus.

As with the on-campus MFA, the Optional-Residency MFA is largely a studio program. Although students generally specialize in one area, they are required to write in three separate genres during the course of their degree; to produce regular, substantial quantities of work, and to maintain continuing interaction with the staff.

Workshops are designed to focus attention on the student’s own work and the process of peer critique and discussion.

Thirty-six credits of work, including a creative thesis, are required for the MFA. The MFA degree awarded on completion is identical to the degree granted to on-campus students.

All candidates are selected on the basis of work submitted. Scholarship funding and Teaching Assistantships are available. Please see our website for guidelines.

Type of Program: Low-Residency Program
Largest Class Size: 12
Smallest Class Size: 6
Genres: Fiction, Poetry, Creative Nonfiction, Playwriting, Screenwriting, Writing for Children
In State Tuition 9000
Out of State Tuition 15000
Duration of Study: 5 years
Unit of Measure: Credits
Workshop: 24
Other: 6
Thesis: 6
Total Units for Degree: 36
Other Requirements: Minimum of two years of intensive writing in workshops/tutorials within department; three-genre requirement.
Application Deadline Spring: 01/10/2020
Application Requirements: Transcripts, Writing Sample, Application Form, Letters of Recommendation, Cover Letter, Other

Maureen Medved

Maureen Medved’s novel The Tracey Fragments was published by House of Anansi Press. Over the years, Maureen’s writing as well as adaptations of her work have been published in literary journals, magazines and produced for stage and screen. Maureen’s screen adaptation of T, opened the Panorama program of the 57th annual Berlin International Film Festival and won the Manfred Salzgeber Prize, selected by jury for a film “that broadens the boundaries of cinema today.” The film has gone on to feature at a number of international film festivals, screened at MOMA and has also garnered other nominations and awards, including a Genie Award nomination for Adapted Screenplay.

In 2008 a French language version of her book won the Governor General’s Literary Award for Translation, awarded to C& L Chabalier. She also designed a course in writing for new media for the Creative Writing Program, and, as part of her research, currently explores creative writing opportunities in new media. In 2009, she received the Artistic Achievement Award from Women in Film and Television (Vancouver). She is a film reviewer and an Associate Professor in the Creative Writing Program at the University of British Columbia. Maureen is currently completing her second novel as well as other projects for film.

Linda Svendsen

Fiction: Sussex Drive, a novel, was published by Random House Canada in 2012 and was a nominee for the CBC Bookies-Ron MacLean Award for Most Hilarious/Witty book. It’s a political satire based in Ottawa. Linda’s story collection, Marine Life, was published in Canada (HarperCollinsCanada), the U.S. (Farrar, Straus and Giroux), and Germany (Residenz Verlag). Her stories have appeared in Seventeen, The Atlantic, Saturday Night, Prairie Schooner, Epoch, Fiddlehead, O. Henry Prize Stories, Best Canadian Stories and other anthologies such as The Oxford Book of Stories by Canadian Women in English and The New Oxford Book of Canadian Short Stories, edited by Margaret Atwood and Robert Weaver, and I Know Some Things: Stories About Childhood by Contemporary Writers, edited by Lorrie Moore. Marine Life was nominated for the LA Times First Book Award and made into a feature film. Linda graduated with her MFA from Columbia University and held the Wallace Stegner Fellowship at Stanford and the Bunting Fellowship at Radcliffe. A story from Marine Life is forthcoming in The Norton Anthology of Short Fiction, 8th Edition.

Linda co-produced and co-wrote Human Cargo, CBC’s six-hour dramatic limited series about the impact of war and globalization upon refugees, which shot in Vancouver and South Africa. The series garnered the 2004 Peabody Award, the Robert Wagner Narrative Screenwriting Award from the Columbus International Film and Television Festival, seven Geminis and was invited to the Rencontres Internationales de Television in Rheims, France and sold to 82 countries. Other long-form writing credits include Murder Unveiled (with Brian McKeown), At The End of the Day: The Sue Rodriguez Story, and The Diviners, adapted from the Margaret Laurence novel. She has written episodic for Airwaves and These Arms of Mine. In 2006, she received the John Simon Guggenheim Award.

Keith Maillard

Keith Maillard is the author of thirteen novels. Light in the Company of Women was a runner-up for the Ethel Wilson Fiction Prize; Motet won that prize. Hazard Zones was short-listed for the Commonwealth Literary Prize and Gloria short-listed for the Governor General’s Award. The Clarinet Polka was awarded the Creative Arts Prize by the Polish American Historical Association. Maillard has been honoured by the West Virginia Library Association and by his hometown of Wheeling, West Virginia, where he was inducted into the Hall of Fame.

He has published numerous articles, essays, and critical studies in journals ranging from Contemporary Literary Criticism to Flare. His poetry collection, Dementia Americana, won the Gerald Lampert Award for the best first book of poetry published in Canada. His most recent poetry may be found in The Best of Canadian Poetry in English, 2008 (Tightrope Books). He has worked extensively in radio, first at WBUR in Boston and then as a freelancer for the CBC, contributing to This Country in the Morning, Five Nights, Our Native Land, and Ideas.

Maillard is currently completing the first draft of a new novel, Twin Studies. He is also creating a series of sound-based podcasts which may be heard on his website.

Bryan Wade

Bryan Wade has had numerous productions of his stage plays in various theatres across the country. Some of these include: Factory Theatre Lab (Toronto), Toronto Free Theatre, Tarragon Theatre (Toronto), the Blyth Festival, Playwrights Workshop (Montreal), Quinzaine Internationale du Theatre Festival (Quebec City), Theatre Calgary and Vancouver’s New Play Centre. He has also been Playwright-in-Residence at Factory Theatre and the Blyth Festival along with being an invited artist at the Playwrights Colony at the Banff School of Fine Arts and the Stratford Festival. His latest play, an adaptation of Henrik Ibsen’s The Lady From the Sea, was produced last year by Theatre UBC here in Vancouver.

Some of the radio drama series he has written for include: Nightfall, Morningside, Vanishing Point, Stereo Theatre and Sunday Showcase, and have been broadcast nationally across Canada and internationally in Australia. Several of his plays have been published by Playwrights Press, including an anthology of five plays called Blitzkrieg and Other Plays.

Nancy Lee

Nancy Lee lived her early years in England before immigrating to Canada. She received her M.F.A. in Creative Writing from the University of British Columbia. She has taught at the Simon Fraser University Writing and Publishing Program, and is the former Associate Director of the Booming Ground Writers Community.

Lee’s first book of fiction, Dead Girls, was named Book of the Year by NOW Magazine, and was a finalist for the Ethel Wilson Fiction Prize and the Danuta Gleed Literary Award. Her work has appeared in numerous literary journals and anthologies, as well as in the 2001 Toronto Life Summer Fiction issue. She was one of seven writers selected by Margaret Atwood for a special CBC Radio feature on new writers to watch, and a jury member for the CBC’s “Canada Reads” program for 2003. She is the recipient of many grants, fellowships, and writing awards, including the Gabriel Award for Radio.

Her first novel, The Age, was published by McClelland & Stewart in 2014. It has also been published in France and the Netherlands.

Annabel Lyon

Annabel Lyon published her first book, Oxygen, a collection of stories, in 2000. The Best Thing for You, a collection of three novellas, followed in 2004 and was nominated for the Ethel Wilson Fiction Prize. She has written two books for children, All Season Edie (2009) and Encore Edie (2010).

Her first novel, The Golden Mean, was published in 2009 to great acclaim. It held the distinction of being the only book nominated that year for all three of Canada’s major fiction prizes: the Scotiabank Giller Prize, the Governor General’s Award and the Rogers Writers’ Trust Fiction Prize. Of the three, she won the Rogers Prize. The book has been translated into multiple languages.

Her second novel, The Sweet Girl, a sequel to The Golden Mean, was published in fall, 2012.

Timothy Taylor

Timothy Taylor is a bestselling and award winning author of six book-length works of fiction and nonfiction. He emerged on the writing scene in 2000, when three of his short stories were selected for a single edition of the Journey Prize Anthology. His story Doves of Townsend won the Journey Prize that same year and was included in his collection of short fiction Silent Cruise, which was itself later named runner-up to the Danuta Gleed Award. Taylor’s first novel Stanley Park was released to critical acclaim in 2001 and was nominated for a Giller Prize, a Rogers Writers Trust Fiction Prize as well as both a Vancouver and BC Book Award. His most recent novel, The Blue Light Project, was a bestseller in Canada and went on to win the CBC Bookie Prize in fiction.

Taylor has also been a prolific journalist and magazine features writer over this same period. He has published hundreds of feature articles in the past 15 years in such publications as EnRoute, Walrus, 18 Bridges, The Report on Business Magazine, Vancouver Magazine and many others. He has won or been nominated for over two dozen magazine awards, been widely anthologized, and seen his work appear in both the US and France. His most recent nonfiction book, published by Nonvella in Vancouver, is Foodville, a food memoire and meditation on foodie obsessions in western consumer culture. In addition to his writing and teaching at UBC, Taylor travels widely, having in recent years spent time on assignment in China, Tibet, Japan, Dubai, Brazil, the Canadian arctic and other places. He lives in Point Grey Vancouver with his wife, his son, and a Brittany Spaniel named Keaton.

Billy-Ray Belcourt

Billy-Ray Belcourt (he/him) is a writer and academic from the Driftpile Cree Nation.

He is a 2016 Rhodes Scholar and holds an M.St. in Women’s Studies from the University of Oxford and Wadham College.

Billy-Ray’s debut book of poems, This Wound is a World (Frontenac House 2017), won the 2018 Griffin Poetry Prize (making him the youngest ever winner) and the 2018 Robert Kroetsch City of Edmonton Book Prize. It was also named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Awards.

This Wound is a World was a finalist for the 2018 Governor General’s Literary Award for Poetry, the 2018 Robert Kroetsch Award for Poetry, the 2018 Gerald Lampert Memorial Award, and the 2018 Raymond Souster Award, both of the latter via the Canadian League of Poets. It was also named by CBC Books as the best “Canadian poetry” collection of 2017. U.S. (University of Minnesota Press) and French (Groupe Nota Bene) editions of the book are now available.

His sophomore book, NDN Coping Mechanisms: Notes from the Field, was published in 2019 by House of Anansi.

His third book, A History of my Brief Body, essays and vignettes on grief, colonial violence, joy, love, and queerness, is due out in May 2020 with Hamish Hamilton, an imprint of Penguin Canada.

Emily Pohl-Weary

Emily is an award-winning author, editor, and creative writing instructor. She has published seven books, a series of girl pirate comics, and her own literary magazine. Her most recent book is a collection of poetry, Ghost Sick. Her novel for teens, Not Your Ordinary Wolf Girl was published by Penguin Razorbill (Canada) and Skyscape (U.S.A.) in fall 2013. Her five previous books include Strange Times at Western High, Girls Who Bite Back, A Girl Like Sugar, Iron-on Constellations, and Better to Have Loved: The Life of Judith Merril.

Emily is currently completing a PhD in Adult Education and Community Development at University of Toronto’s Ontario Institute for Studies in Education. She also holds an MFA in Creative Writing from the University of British Columbia. Her scholarly research is on community-based writing programs and she has extensive experience mentoring and teaching creative writing in academic and community settings

Nalo Hopkinson

Nalo Hopkinson was born in Jamaica, and spent the first 16 years of her life in Jamaica, Guyana, Trinidad and the US before her family moved to Canada. She writes science fiction and fantasy, exploring their potential for centering non-normative voices and experiences. Her first novel, Brown Girl in the Ring, won the Warner Aspect First Novel Contest in 1998. She has published six novels and numerous short stories. Her writing has received the John W. Campbell Award, Locus Magazine’s Best First Novel Award, the Sunburst Award for Canadian Literature of the Fantastic, the World Fantasy Award, the Andre Norton (Nebula) Award, the Gaylactic Spectrum Award, the Inkpot Award, the Octavia E. Butler Memorial Award, and Canada’s Prix/Aurora Award.

She has taught at University of California Riverside. In 2021 the Science Fiction Writers of America honoured her with the Damon Knight Memorial “Grand Master” Award, recognizing her lifetime of achievements in writing, mentorship and teaching. In 37 years she was the youngest person to receive the award, and the first woman of African descent.

Alix Ohlin

Alix Ohlin’s novel Inside (Knopf) and her story collection Signs and Wonders (Vintage) were both published on June 5, 2012. She is also the author of The Missing Person, a novel, and Babylon and Other Stories. Her work has appeared in Best American Short Stories, Best NewAmerican Voices, The New Yorker, and on public radio’s Selected Shorts. Born and raised in Montreal, she taught at Lafayette College and in the Warren Wilson MFA Program for Writers before coming to UBC

Teacher

Combining my love of travel, communication, and flexibility (physical, psychic, and emotional), I’ve taught the two disciplines of English and Yoga in Canada, Ecuador, Nepal, United Arab Emirates, and the United States. Soon, Ethiopia will be added to the list! I’ve been a fortunate member of the faculty at such institutions as the Center for Integrative Medicine (Tucson), Institute of American Indian Arts (New Mexico), Kripalu Center for Yoga & Health (Massachusetts), Simon Fraser University (Vancouver), the University of Arizona (Tucson).

No matter what I’m teaching where in the world or for which institution, as a teacher entirely devoted to authentic expression–yours and mine–I offer private and small group mentoring, community workshops, and university courses.

P rivate & Small Group Mentoring I offer support to individual writers, as well as small groups. The mentoring support I offer meets you where you are on your writing path and seeks to serve you as you discover and write toward your goals, e.g. writing individual pieces (poems, stories, memoirs, blogs, etc.), completing a chapbook- or full-length manuscript, embarking on a course of reading and study, etc. May I be of service to your writer’s education?

Contemporary Poetry & Creative Writing Courses
While in Canada, I’ve taught for the English Department (2005-2010) and the summer writing program, South Bank Writers Program (2012-2017) at Simon Fraser University (SFU). Currently, I’m faculty in the Creative Writing Program in Simon Fraser University’s Continuing Studies, offering elective courses to the The Writer’s Studio cohort and to writers at (and writ!) large in Vancouver’s vibrant literary community.

The following two SFU courses recur yearly.

-WRITE WRITE WRITE– mid-August at SFU, Harbour Centre

A week-long writing intensive extravaganza, meeting daily to enliven your writing practice! Using a balance of in-class discussions and exercises, as well as take-home practices and missions, you will pursue the stories, poems and memoirs within you.

-THE POEM’S INTENTION– October – December at SFU, Harbour Centre

By focusing on the ways a poem asserts its own emotional, thematic, and narrative intention, writers taking this course will learn new strategies for composing and revising poems. By distinguishing the writer’s intention from the poem’s intention, writers will learn how to do the following:

Creative writing program sfu

The SFU Creative Writing Program publishes a yearly anthology titled emerge, which contains writing from the students in The Writer’s Studio. The anthology is produced by the students and alumni and serves as an introduction to the process of book publishing.
sfu.ca/creative-writing
@TWSSFU

associate member

Books in Print: 20
Fiction, Non-Fiction, Poetry, Genre Fiction, YA

Contact: Andrew Chesham
[email protected]

t. 778.782.9257
2300-515 West Hastings Street
Vancouver, BC V6B 5K3

Note from the Publisher

We do not accept unsolicited manuscripts.

Suite 600-402, West Pender Street, Vancouver, BC, V6B 1T6 | Tel: 604.684.0228 Website by LiFT Studios